CHI '93 Proceedings of the INTERACT '93 and CHI '93 Conference on Human Factors in Computing Systems
VIS '97 Proceedings of the 8th conference on Visualization '97
C&C '02 Proceedings of the 4th conference on Creativity & cognition
A proposed design for an audio processing system
Organised Sound
The phase vocoder: theory and practice
Organised Sound
Creating and using multiple media in an online course
The distance education evolution
Computer Music Journal
From Battle Metris to Symbiotic Symphony: a new model for musical games
Proceedings of the 2006 international conference on Game research and development
Evolution of adult male oral tract shapes for close and open vowels
Proceedings of the 9th annual conference companion on Genetic and evolutionary computation
Stria: Lines to Its Reconstruction
Computer Music Journal
An Analysis of the Compositional Techniques in John Chowning's Stria
Computer Music Journal
The Assembling of Stria by John Chowning: A Philological Investigation
Computer Music Journal
Towards accessible multimedia music
WEDELMUSIC'02 Proceedings of the Second international conference on Web delivering of music
Identifying attack articulations in classical guitar
CMMR'10 Proceedings of the 7th international conference on Exploring music contents
Application of an artificial immune system in a compositional timbre design technique
ICARIS'05 Proceedings of the 4th international conference on Artificial Immune Systems
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From the Publisher:First published in 1985, Computer Music has been embraced worldwide as the best available introduction to the use of computer synthesis in musical composition. This new edition of Computer Music builds on the foundation of the original book to address the revolution in computing technology that has put computer music within the reach of all, including the availability of powerful personal computers at low cost, the development of user-friendly software, and the establishment of the MIDI interface for digital control of music hardware. Many new compositional examples are included, and current trends in performance practice are described. In short, this book serves as a thorough introduction to the world of computer music - synthesis, composition, and performance - written in such a way that music students can understand it.