A multimodal framework for music inputs (poster session)
MULTIMEDIA '00 Proceedings of the eighth ACM international conference on Multimedia
Rescuing La Scala's Music Archives
Computer
Theoretical and Empirical Comparisons of Approximate String Matching Algorithms
CPM '92 Proceedings of the Third Annual Symposium on Combinatorial Pattern Matching
Music Information Description by Mark-Up Languages within DB-Web Applications
WEDELMUSIC '01 Proceedings of the First International Conference on WEB Delivering of Music (WEDELMUSIC'01)
Classification of Melodies by Composer with Hidden Markov Models
WEDELMUSIC '01 Proceedings of the First International Conference on WEB Delivering of Music (WEDELMUSIC'01)
Musical instrument timbres classification with spectral features
EURASIP Journal on Applied Signal Processing
The Musical Archive Information System at Teatro alla Scala
ICMCS '99 Proceedings of the IEEE International Conference on Multimedia Computing and Systems - Volume 2
Introduction and overview: a sample of music information retrieval approaches
Journal of the American Society for Information Science and Technology - Music information retrieval
A novel XML music information retrieval method using graph invariants
ACM Transactions on Information Systems (TOIS)
A database approach to symbolic music content management
CMMR'10 Proceedings of the 7th international conference on Exploring music contents
Hi-index | 0.00 |
As the dimension and number of digital music archives grow, the problem of storing and accessing multimedia data is no longer confined to the database area. Specific approaches for music information retrieval are necessary to establish a connection between textual and content-based metadata. This article addresses such issues with the intent of surveying our perspective on music information retrieval. In particular, we stress the use of symbolic information as a central element in a complex musical environment. Musical themes, harmonies, and styles are automatically extracted from electronic music scores and employed as access keys to data. The data-base schema is extended to handle audio recordings. A score/audio matching module provides a temporal relationship between a music performance and the score played. Besides standard free-text search capabilities, three levels of retrieval strategies are employed. Moreover, the introduction of a hierarchy of input modalities assures meeting the needs and matching the expertise of a wide group of users. Singing, playing, and notating melodic excerpts is combined with more advanced musicological queries, such as querying by a sequence of chords. Finally, we present some experimental results and our future research directions.