Compilers: principles, techniques, and tools
Compilers: principles, techniques, and tools
Human factors and typography for more readable programs
Human factors and typography for more readable programs
Operating system concepts (3rd ed.)
Operating system concepts (3rd ed.)
Systems programming with Modula-3
Systems programming with Modula-3
Programming languages (2nd ed.): concepts and constructs
Programming languages (2nd ed.): concepts and constructs
Extreme programming explained: embrace change
Extreme programming explained: embrace change
Godel, Escher, Bach: An Eternal Golden Braid
Godel, Escher, Bach: An Eternal Golden Braid
Planning the Software Industrial Revolution
IEEE Software
My hopes of computing science (EWD709)
ICSE '79 Proceedings of the 4th international conference on Software engineering
No name: just notes on software reuse
ACM SIGPLAN Notices
Notes on notes on postmodern programming: radio edit
OOPSLA '04 Companion to the 19th annual ACM SIGPLAN conference on Object-oriented programming systems, languages, and applications
Principles of Compiler Design (Addison-Wesley series in computer science and information processing)
Principles of Compiler Design (Addison-Wesley series in computer science and information processing)
Structured programming
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These notes have the status of letters written to ourselves: we wrote them down because, without doing so, we found ourselves making up new arguments over and over again. So began the abstract of our earlier paper Notes on Postmodern Programming. We now revisit the issue of postmodern programming, and attempt to address some of the questions raised by our exposition. To illustrate the nature of postmodernism we do not do this directly, but instead present a series of snapshots, parodies, and imagined conversations that we hope will help. What do you think of the abstract so far? Self-reference and a irreverent approach are part of this topic, so it's important to chill out and let things flow. We claim that computer science and software design grew up amid the unquestioned landscape of modernism, and that too often we cling to the otherwise ungrounded values, even as modernism itself is ever more compromised.