Computer Music Journal
CHI '92 Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
A case for network musical performance
NOSSDAV '01 Proceedings of the 11th international workshop on Network and operating systems support for digital audio and video
Resonant processing of instrumental sound controlled by spatial position
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
The MATRIX: a novel controller for musical expression
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
Microcontrollers in music HCI instruction: reflections on our switch to the Atmel AVR platform
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
TGarden: wearable instruments and augmented physicality
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Versatile sensor acquisition system utilizing network technology
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
SCUBA: the self-contained unified bass augmenter
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Gyrotyre: a dynamic hand-held computer-music controller based on a spinning wheel
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
The smart controller workbench
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
ixi software: the interface as instrument
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
SoniMime: movement sonification for real-time timbre shaping
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Beat Boxing: expressive control for electronic music performance and musical applications
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
OROBORO: a collaborative controller with interpersonal haptic feedback
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems
Computer Music Journal
FMOL: Toward User-Friendly, Sophisticated New Musical Instruments
Computer Music Journal
Rethinking the Computer Music Language: SuperCollider
Computer Music Journal
Beyond 0-5V: expanding sensor integration architectures
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
MOGFUN: musical mObile group for FUN
MM '09 Proceedings of the 17th ACM international conference on Multimedia
Sawtooth: interactive clarity and aesthetic complexity
CHI '10 Extended Abstracts on Human Factors in Computing Systems
Exploring new perspectives in network music performance: The diamouses framework
Computer Music Journal
MOGCLASS: a collaborative system of mobile devices forclassroom music education
Proceedings of the international conference on Multimedia
Spatial sound synthesis in computer-aided composition*
Organised Sound
Parallel evolutionary optimization of digital sound synthesis parameters
EvoApplications'11 Proceedings of the 2011 international conference on Applications of evolutionary computation - Volume Part II
Composition for conductor and audience: new uses for mobile devices in the concert hall
Proceedings of the 24th annual ACM symposium adjunct on User interface software and technology
Anticipation in networked musical performance
EVA'10 Proceedings of the 2010 international conference on Electronic Visualisation and the Arts
Synchronous programming in audio processing: A lookup table oscillator case study
ACM Computing Surveys (CSUR)
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Since telecommunication can never equal the richness of face-to-face interaction on its own terms, the most interesting examples of networked music go beyond the paradigm of musicians playing together in a virtual room. The Open Sound Control protocol has facilitated dozens of such innovative networked music projects. First the protocol itself is described, followed by some theoretical limits on communication latency and what they mean for music making. Then a representative list of some of the projects that take advantage of the protocol is presented, describing each project in terms of the paradigm of musical interaction that it provides.