Texturing and modeling: a procedural approach
Texturing and modeling: a procedural approach
The WebBook and the Web Forager: an information workspace for the World-Wide Web
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Models for reader interaction systems
Proceedings of the ninth international conference on Information and knowledge management
The notification collage: posting information to public and personal displays
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Aesthetic information collages: generating decorative displays that contain information
Proceedings of the 14th annual ACM symposium on User interface software and technology
Concept-context-design: a creative model for the development of interactivity
C&C '02 Proceedings of the 4th conference on Creativity & cognition
Proceedings of the 4th ACM/IEEE-CS joint conference on Digital libraries
CWIC: continuous web image collector
ACM-SE 38 Proceedings of the 38th annual on Southeast regional conference
What's happening?: promoting community awareness through opportunistic, peripheral interfaces
Proceedings of the Working Conference on Advanced Visual Interfaces
Proceedings of the 7th International Conference on Advances in Computer Entertainment Technology
CollARt: a tool for creating 3D photo collages using mobile augmented reality
Proceedings of the 21st ACM international conference on Multimedia
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CollageMachine synthesizes artistic and computational practices in order to represent media from the World Wide Web (WWW). It functions as a process-based art work, and as a special browser which can be useful for searching. Media elements are pulled from Web pages and composed into a collage which evolves over time. The evolving art work / browsing session can be shaped by the user. The temporal composition of the collage develops with relation to its visual composition and semantic content. The CollageMachine engine combines structured randomness and the user's expression of preferences and interests with design rules and semantic rules to make decisions about the collage's layout, and about which media to retrieve. My approach in blending music composition strategies, visual art aesthetics, and computer science techniques into this interactive environment arises through application of the theory of Interface Ecology.