On the empirical limits of billboard rotation
Proceedings of the 4th symposium on Applied perception in graphics and visualization
Psychophysics for perception of (in)determinate art
Proceedings of the 4th symposium on Applied perception in graphics and visualization
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Research in computer graphics noticed deviations from strict geometrical perspective in Renaissance painting, which it treated as exceptional cases, related to specific human perceptions. Based on research in perceptual grouping and art history, this work argues that the deviations are not exceptional but systematic. A new graphics architecture supporting multiple perspectives is also sketched.