Toolglass and magic lenses: the see-through interface
SIGGRAPH '93 Proceedings of the 20th annual conference on Computer graphics and interactive techniques
Achieving color uniformity across multi-projector displays
Proceedings of the conference on Visualization '00
Automatic alignment of high-resolution multi-projector display using an un-calibrated camera
Proceedings of the conference on Visualization '00
PixelFlex: a reconfigurable multi-projector display system
Proceedings of the conference on Visualization '01
Shader Lamps: Animating Real Objects With Image-Based Illumination
Proceedings of the 12th Eurographics Workshop on Rendering Techniques
Interactive spatial multimedia for communication of art in the physical museum space
MM '08 Proceedings of the 16th ACM international conference on Multimedia
Proceedings of the 5th Nordic conference on Human-computer interaction: building bridges
PaperView: augmenting physical surfaces with location-aware digital information
Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction
| Hi-index | 0.01 |
Working high above the floor of the Sistine Chapel in the Vatican of Rome, between 1509 and 1512 Michelangelo Buonarroti painted some of the finest pictorial images of all time. On the ceiling of the papal chapel, he created a masterpiece fresco that includes nine scenes from the book of Genesis. Among them is the famous Creation of Adam scene---showing God touching Adam's hand. In 1510, an initial study led Michelangelo to draw the Adam figure as a sanguine on a piece of paper. Today, this early drawing is displayed at the London British Museum.