Extending Spectral Modeling Synthesis with Transient Modeling Synthesis
Computer Music Journal
Computer Music Journal
Quality enhancement of compressed audio based on statistical conversion
EURASIP Journal on Audio, Speech, and Music Processing - Scalable Audio-Content Analysis
A multichannel sinusoidal model applied to spot microphone signals for immersive audio
IEEE Transactions on Audio, Speech, and Language Processing
Adaptive signal modeling based on sparse approximations for scalable parametric audio coding
IEEE Transactions on Audio, Speech, and Language Processing
A 3-D immersive synthesizer for environmental sounds
IEEE Transactions on Audio, Speech, and Language Processing
Time-frequency synthesis of noisy sounds with narrow spectral components
IEEE Transactions on Audio, Speech, and Language Processing
Adaptive signal models for wide-band speech and audio compression
IbPRIA'05 Proceedings of the Second Iberian conference on Pattern Recognition and Image Analysis - Volume Part II
Spatialized synthesis of noisy environmental sounds
CMMR/ICAD'09 Proceedings of the 6th international conference on Auditory Display
Design space exploration in many-core processors for sound synthesis of plucked string instruments
Journal of Parallel and Distributed Computing
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In analysis-synthesis of musical sounds based on a sinusoidal model, the difference between the original signal and the synthesized signal, termed the residual, is typically a broadband noise process. It contains such musical phenomena as flute breath noise or violin bow noise. Synthesis without such "noise" tends to sound artificial; it is desirable to improve the synthesis realism by modeling the residual in such a way that it can be reinjected in the synthesized signal. This paper deals with a model of noise perception based on the equivalent rectangular bands (ERBs) of the auditory system. Since a broadband noise is perceptually well-represented by the time-varying energy in each of these frequency bands, the residual is parametrized in terms of these energies in the proposed model. An application of the model to music synthesis based on the inverse fast Fourier transform (FFT) is described in detail.