Sonic interaction design: sound, information and experience

Authors:
Davide Rocchesso;Stefania Serafin;Frauke Behrendt;Nicola Bernardini;Roberto Bresin;Gerhard Eckel;Karmen Franinovic;Thomas Hermann;Sandra Pauletto;Patrick Susini;Yon Visell
Affiliations:
IUAV University of Venice, Venezia, Italy;Aalborg University Copenhagen, Ballerup, Denmark;University of Sussex, Brighton, United Kingdom;Conservatorio, Padova, Italy;KTH, Stockholm, Sweden;University of Music and Dramatic Arts, Graz, Austria;ZHDK, Zürich, Switzerland;University of Bielefeld, Bielefeld, Germany;University of York, York, United Kingdom;IRCAM, Paris, France;McGill University, Montreal, Canada
Venue:
CHI '08 Extended Abstracts on Human Factors in Computing Systems
Year:
2008

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Abstract

Sonic Interaction Design (SID) is an emerging field that is positioned at the intersection of auditory display, ubiquitous computing, interaction design, and interactive arts. SID can be used to describe practice and inquiry into any of various roles that sound may play in the interaction loop between users and artifacts, services, or environments, in applications that range from the critical functionality of an alarm, to the artistic significance of a musical creation. This field is devoted to the privileged role the auditory channel can assume in exploiting the convergence of computing, communication, and interactive technologies. An over-emphasis on visual displays has constrained the development of interactive systems that are capable of making more appropriate use of the auditory modality. Today the ubiquity of computing and communication resources allows us to think about sounds in a proactive way. This workshop puts a spotlight on such issues in the context of the emerging domain of SID.