The creative mind: myths and mechanisms
The creative mind: myths and mechanisms
Affective computing
Objectively evaluating entertainment technology
CHI '04 Extended Abstracts on Human Factors in Computing Systems
Predicting human interruptibility with sensors
ACM Transactions on Computer-Human Interaction (TOCHI)
Feasibility and pragmatics of classifying working memory load with an electroencephalograph
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Creativity factor evaluation: towards a standardized survey metric for creativity support
Proceedings of the seventh ACM conference on Creativity and cognition
The WEKA data mining software: an update
ACM SIGKDD Explorations Newsletter
Emotion detection using noisy EEG data
Proceedings of the 1st Augmented Human International Conference
Love, hate, arousal and engagement: exploring audience responses to performing arts
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Evaluation methods for creativity support environments
CHI '13 Extended Abstracts on Human Factors in Computing Systems
The value of research in creativity and the arts
Proceedings of the 9th ACM Conference on Creativity & Cognition
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We investigate the measurement of 'in-the-moment creativity' (ITMC) as a step towards developing new evaluation methods for improving creativity support tools (CSTs). We consider ITMC to be the periods of intense personal creative experience within a temporal, creative work process. Our approach to this work involves a triangulation method of several temporal metrics, including self-report ratings, external judgments, and physiological measurements. The experiment described in this paper involves participants sketching for 30 minutes while wearing EEG and being screen recorded. Participants and external judges used a special video application to watch, identify and rate periods of personal creative experience during the sketching activity. Our results indicate that people are comfortable self-reporting ITMC, and our work sets the stage for more extensive research that makes use of temporal, granular measures of the personal creative experience.