Forward models for physiological motor control
Neural Networks - 1996 Special issue: four major hypotheses in neuroscience
Multiple paired forward and inverse models for motor control
Neural Networks - Special issue on neural control and robotics: biology and technology
Visually Induced Auditory Expectancy in Music Reading: A Behavioral and Electrophysiological Study
Journal of Cognitive Neuroscience
Involuntary Motor Activity in Pianists Evoked by Music Perception
Journal of Cognitive Neuroscience
Brain Indices of Music Processing: "Nonmusicians" are Musical
Journal of Cognitive Neuroscience
Twin Peaks: An ERP Study of Action Planning and Control in Coacting Individuals
Journal of Cognitive Neuroscience
Action co-representation is tuned to other humans
Journal of Cognitive Neuroscience
Processing expectancy violations during music performance and perception: An erp study
Journal of Cognitive Neuroscience
2010 Special Issue: A minimal architecture for joint action
Neural Networks
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We investigated whether people monitor the outcomes of their own and their partners' individual actions as well as the outcome of their combined actions when performing joint actions together. Pairs of pianists memorized both parts of a piano duet. Each pianist then performed one part while their partner performed the other; EEG was recorded from both. Auditory outcomes pitches associated with keystrokes produced by the pianists were occasionally altered in a way that either did or did not affect the joint auditory outcome i.e., the harmony of a chord produced by the two pianists' combined pitches. Altered auditory outcomes elicited a feedback-related negativity whether they occurred in the pianist's own part or the partner's part, and whether they affected individual or joint action outcomes. Altered auditory outcomes also elicited a P300 whose amplitude was larger when the alteration affected the joint outcome compared with individual outcomes and when the alteration affected the pianist's own part compared with the partner's part. Thus, musicians engaged in joint actions monitor their own and their partner's actions as well as their combined action outcomes, while at the same time maintaining a distinction between their own and others' actions and between individual and joint outcomes.