The physical model: modeling and simulating the instrumental universe
Representations of musical signals
Virtual reality
The Science of Virtual Reality and Virtual Environments
The Science of Virtual Reality and Virtual Environments
IEEE Transactions on Visualization and Computer Graphics
StickMusic: using haptic feedback with a phase vocoder
NIME '04 Proceedings of the 2004 conference on New interfaces for musical expression
Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis
Computer Music Journal
A tactile closed-loop device for musical interaction
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Transmodal feedback as a new perspective for audio-visual effects
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Meta-Instrument 3: a look over 17 years of practice
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
A run-time programmable simulator to enable multi-modal interaction with rigid-body systems
Interacting with Computers
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The ACROE and the ICA laboratory are two associated institutions running a program of research, development, creation and pedagogy in the field of computer for music and animated image synthesis. ACROE was founded in 1976 by Claude Cadoz, Annie Luciani and Jean-Loup Florens, in the Institut National Polytechnique of Grenoble (INP-G) with the support of French Ministry of Culture. The ICA (Artistic Creation and Computer) was initially a team, belonging successively to the LCP (Laboratoire de la Communication Parlée - INP-G), from 1976 to 1985, to the LIFIA (Informatique Fondamentale et Intelligence Artificielle - IMAG), from 1985 to 1995, and to the CLIPS (Communication Langagière et Interaction Personne-Système - IMAG). Since 1999, ICA is itself a laboratory of INP-G. ICA is in charge of the scientific research part of the global program.