Ensemble timing in computer music
Computer Music Journal
Designing the user interface (videotape)
Designing the user interface (videotape)
A morphological analysis of the design space of input devices
ACM Transactions on Information Systems (TOIS) - Special issue on computer—human interaction
SpeechSkimmer: a system for interactively skimming recorded speech
ACM Transactions on Computer-Human Interaction (TOCHI) - Special issue on speech as data
An Intermedia Skew Control System for Multimedia Data Presentation
Proceedings of the Third International Workshop on Network and Operating System Support for Digital Audio and Video
Using Audio Time Scale Modification for Video Browsing
HICSS '00 Proceedings of the 33rd Hawaii International Conference on System Sciences-Volume 3 - Volume 3
New algorithms and techniques for well-synchronized audio and video streams communications
IC3N '97 Proceedings of the 6th International Conference on Computer Communications and Networks
Manipulating music: multimodal interaction for DJs
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Toward a Framework for Interactive Systems to Conduct Digital Audio and Video Streams
Computer Music Journal
Keepin' it real: pushing the desktop metaphor with physics, piles and the pen
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Fly: an organic presentation tool
CHI '06 Extended Abstracts on Human Factors in Computing Systems
From Time to Time: The Representation of Timing and Tempo
Computer Music Journal
| Hi-index | 0.00 |
Scrubbing or skimming through an audio-only recording remains a challenge with today's audio interfaces. We present DiMaß, a technique for direct manipulation of an audio timeline with continuous, high-fidelity audio feedback. Building upon prior work in interactive conducting systems, DiMaß uses improved algorithms to (1) estimate the input position and velocity of low sampling rate, relative input devices such as a mouse or iPod scroll wheel; (2) adjust audio play rate to precisely track user input; and (3) interactively time-stretch the audio without changing the pitch at arbitrary forwards and backwards play rates. Early feedback showed that users are willing to tolerate slightly reduced responsiveness in exchange for smoother sounding audio. We are currently exploring how DiMaß enables users to more quickly and efficiently scrub and skim through audio.