Computer Music Journal
Iamascope: an interactive kaleidoscope
ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97
Designing the Haptic Turntable for Musical Control
HAPTICS '03 Proceedings of the 11th Symposium on Haptic Interfaces for Virtual Environment and Teleoperator Systems (HAPTICS'03)
NIME '01 Proceedings of the 2001 conference on New interfaces for musical expression
In the mixxx: novel digital DJ interfaces
CHI '05 Extended Abstracts on Human Factors in Computing Systems
The DJammer: "air-scratching" and freeing the DJ to join the party
CHI '05 Extended Abstracts on Human Factors in Computing Systems
The role of time in engineering computer music systems
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
An initial usability assessment for symbolic haptic rendering of music parameters
ICMI '05 Proceedings of the 7th international conference on Multimodal interfaces
Turntable music in the digital era: designing alternative tools for new turntable expression
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Mapping strategies in DJ scratching
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
DJs' perspectives on interaction and awareness in nightclubs
DIS '06 Proceedings of the 6th conference on Designing Interactive systems
DiMaß:: a technique for audio scrubbing and skimming using direct manipulation
Proceedings of the 1st ACM workshop on Audio and music computing multimedia
One-dimensional force feedback slider: going from an analogue to a digital platform
Proceedings of the 4th Nordic conference on Human-computer interaction: changing roles
Rhythmism: a VJ performance system with maracas based devices
Proceedings of the international conference on Advances in computer entertainment technology
The ColorDex DJ system: a new interface for live music mixing
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
BounceSlider: actuated sliders for music performance and composition
Proceedings of the 2nd international conference on Tangible and embedded interaction
Mobile collaborative live video mixing
Proceedings of the 10th international conference on Human computer interaction with mobile devices and services
Spinning online: a case study of internet broadcasting by DJs
Proceedings of the fourth international conference on Communities and technologies
The skipproof virtual turntable for high-level control of scratching
Computer Music Journal
Feel what you hear: haptic feedback as an accompaniment to mobile music playback
Proceedings of Interacting with Sound Workshop: Exploring Context-Aware, Local and Social Audio Applications
Searching for music: how feedback and input-control change the way we search
INTERACT'05 Proceedings of the 2005 IFIP TC13 international conference on Human-Computer Interaction
Digging in the crates: an ethnographic study of DJS' work
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
DiskPlay: in-track navigation on turntables
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Bathcratch: touch and sound-based DJ controller implemented on a bathtub
ACE'12 Proceedings of the 9th international conference on Advances in Computer Entertainment
Spinning data: remixing live data like a music dj
CHI '13 Extended Abstracts on Human Factors in Computing Systems
Digital apartheid: an ethnographic account of racialised hci in Cape Town hip-hop
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
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In this paper we consider the general goal of supporting physical manipulation of digital audio in a specific context: the performance disk jockey (DJ) seeking to migrate from vinyl to digital media. We classify both the DJ's traditional processes and tools and the field's newest technology.D'Groove, our own technological contribution, is a force feedback turntable used to manipulate digital audio in novel ways. We present an observational study of professional DJ's using D'Groove, and discuss this approach's attributes and directions for future augmentation. Finally, we extend our conclusions about the DJ's emerging needs to the broader domain of digital audio manipulation.