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ACM Transactions on Computer-Human Interaction (TOCHI)
The Rise of the Network Society
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Manipulating music: multimodal interaction for DJs
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Listening in: practices surrounding iTunes music sharing
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Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
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Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
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Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
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A VJ centered exploration of expressive interaction
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
WATER alert!: disseminating drinking water quality information to South Africans
CHI '11 Extended Abstracts on Human Factors in Computing Systems
Divining a Digital Future: Mess and Mythology in Ubiquitous Computing
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Making the link-providing mobile media for novice communities in the developing world
International Journal of Human-Computer Studies
Designing interactive storytelling: a virtual environment for personal experience narratives
INTERACT'11 Proceedings of the 13th IFIP TC 13 international conference on Human-computer interaction - Volume Part II
Repair worlds: maintenance, repair, and ICT for development in rural Namibia
Proceedings of the ACM 2012 conference on Computer Supported Cooperative Work
Experiencing coincidence during digital music listening
ACM Transactions on Computer-Human Interaction (TOCHI)
Digging in the crates: an ethnographic study of DJS' work
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
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Proceedings of the 2012 ACM Conference on Ubiquitous Computing
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We describe findings from a 15-month ethnography of hip-hop performers in Cape Town, South Africa. Mobile communications and social media are hugely important to the development of these performers' careers, opening access to collaborators, production tools, audiences and distribution channels. This group go to extraordinary lengths to gain and maintain access to these technologies, often by exploiting their social capital through musical and ethnic networks. We document that even after nearly twenty years of democracy, a ridged separation along racial lines persists, which can be seen in all areas of life including access to and proficiency in digital technologies. We illustrate how hip-hop performers harness these divisions both on and offline in order to distinguish themselves from other artists. Our research raises a number of implications for post-colonial computing, highlighting difficulties related to discontinuous access, and how international preconceptions of identity and authenticity emerge as a consequence of the increased use of communication technology.