Stochastic dynamics of music album lifecycle: An analysis of the new market landscape
International Journal of Human-Computer Studies
Parameters for Software Piracy Research
The Information Society
Re-tuning the music industry: can they re-attain business resonance?
Communications of the ACM - One Laptop Per Child: Vision vs. Reality
The future of digital music sales among web-enabled professionals: an empirical investigation
International Journal of Business Information Systems
Decision Support Systems
To theme or not to theme: Can theme strength be the music industry's "killer app"?
Decision Support Systems
Electronic Commerce Research and Applications
Optimal software pricing in the presence of piracy and word-of-mouth effect
Decision Support Systems
Digital goods and markets: Emerging issues and challenges
ACM Transactions on Management Information Systems (TMIS)
Measuring the validity of peer-to-peer data for information retrieval applications
Computer Networks: The International Journal of Computer and Telecommunications Networking
College Students, Piracy, and Ethics: Is there a Teachable Moment?
International Journal of Technoethics
Same Coin, Different Sides: Differential Impact of Social Learning on Two Facets of Music Piracy
Journal of Management Information Systems
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The popularity of online music-sharing networks has attracted interest from the music industry, artists, consumer advocacy groups, the popular press, and government legislative and regulatory entities. P2P networks have become lightning rods for debates on intellectual property rights and music market fates. Yet, to date, little has been based on actual observed activity on online sharing networks. Here we report on an initial P2P network data gathering and analysis endeavor and relate it to market performance of music albums. The relative market performance of music albums is gauged using the list of top 100 albums on the weekly Billboard charts. The P2P sharing data gathered is longitudinal, spanning a period of 8 weeks. We also identify and track data for 47 upcoming album releases providing pre- and post-release comparisons of sharing activity. We offer four main findings: (1) significant piracy opportunity and activity were observed; (2) the level of sharing opportunities are related to albums' relative chart positions; (3) there is evidence of both "pre-purchase sampling" piracy and "lost-sales" piracy; and, (4) sharing activity levels provide leading indicators of direction of movement of albums on the Billboard charts. Points (3) and (4) have particular implications for music marketing and promotion.