Composing Music with Computers with Cdrom
Composing Music with Computers with Cdrom
Pattern Classification (2nd Edition)
Pattern Classification (2nd Edition)
Machine Musicianship
Music compositional intelligence with an affective flavor
Proceedings of the 12th international conference on Intelligent user interfaces
Music and Probability
ICANN'07 Proceedings of the 17th international conference on Artificial neural networks
Continuous-Time recurrent neural networks for generative and interactive musical performance
EuroGP'06 Proceedings of the 2006 international conference on Applications of Evolutionary Computing
Accessibility considerations in designing a layperson's application for score music description
Proceedings of the 7th Audio Mostly Conference: A Conference on Interaction with Sound
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Especially in the low-budget and amateur score music production workflow the triangular communication between editor, director and composer is constrained by limited resources, tight schedules and the lack of common domain knowledge. Often sound-a-like ideas and precomposed material end up as static temp tracks in the rough cut and thus limit the flexibility in the composition process. Our rapid score music prototyping framework RaPScoM aims at supporting the workflow with a toolchain for semi-automated and customizeable temp track generation by exposing a set of high-level parameters based on semantic movie annotation derived from movie clip analysis and a set of basic composition rules that could be derived from exemplary (score) music. In this paper we give an overview of the framework architecture and discuss technical details on our semantic movie annotation strategy and some core composition components.