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Interactive, evolutionary textured sound composition
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Generating Multimedia Content with Cellular Automata
IEEE MultiMedia
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Zipf's Law, Music Classification, and Aesthetics
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On Harnessing the Electroencephalogram for the Musical Braincap
Computer Music Journal
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NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
A look at the design and creation of a graphically controlled digital musical instrument
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Some Empirical Criteria for Attributing Creativity to a Computer Program
Minds and Machines
Using rules for creativity in visual composition
Proceedings of the 26th annual ACM international conference on Design of communication
A survey of computer systems for expressive music performance
ACM Computing Surveys (CSUR)
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Mathematics and Computers in Simulation
Evolutionary music and the zipf-mandelbrot law: developing fitness functions for pleasant music
EvoWorkshops'03 Proceedings of the 2003 international conference on Applications of evolutionary computing
Genetic improvisation model: a framework for real-time performance environments
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Constraint programming systems for modeling music theories and composition
ACM Computing Surveys (CSUR)
A genetic algorithm for dodecaphonic compositions
EvoApplications'11 Proceedings of the 2011 international conference on Applications of evolutionary computation - Volume Part II
Towards an automatic music arrangement framework using score reduction
ACM Transactions on Multimedia Computing, Communications, and Applications (TOMCCAP)
RaPScoM: towards composition strategies in a rapid score music prototyping framework
Proceedings of the 6th Audio Mostly Conference: A Conference on Interaction with Sound
Continuous-Time recurrent neural networks for generative and interactive musical performance
EuroGP'06 Proceedings of the 2006 international conference on Applications of Evolutionary Computing
A two-stage autonomous evolutionary music composer
EuroGP'06 Proceedings of the 2006 international conference on Applications of Evolutionary Computing
EC'05 Proceedings of the 3rd European conference on Applications of Evolutionary Computing
A neural network for bass functional harmonization
EvoCOMNET'10 Proceedings of the 2010 international conference on Applications of Evolutionary Computation - Volume Part II
Generating and modifying melody using editable noise function
CMMR'05 Proceedings of the Third international conference on Computer Music Modeling and Retrieval
Composing with algorithms: two novel generative composition tools
Proceedings of the 7th Audio Mostly Conference: A Conference on Interaction with Sound
'AIE-studio' - a pragmatist aesthetic approach for procedural sound design
Proceedings of the 8th Audio Mostly Conference
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From the Publisher:The accompanying CD-ROM contains examples, complementary tutorials and a number of composition systems for PC and Macintosh platforms, from demonstration versions of commercial programs to exciting, fully working packages developed by research centers world-wide, including Nyquist, Bol Processor, Music Sketcher, SSEYO Koan, Open Music and the IBVA brainwaves control system, among others. This book will be interesting to anyone wishing to use the computer as a companion to create music. It is a comprehensive guide, but the technical terms are explained so it is suitable for students, professionals and enthusiasts alike. Author Biography: Eduardo Reck Miranda is a researcher at the Sony Computer Science Laboratory in Paris. He is one of the creators of the Brazilian Computer Music Group (NUCOM) of the Brazilian Computer Science Society (SBC); he is also a member of the International Computer Music Association (ICMA), the Brazilian Electroacoustic Music Association (SBME) and the Audio Engineering Society (AES).