Hedonic and ergonomic quality aspects determine a software's appeal
Proceedings of the SIGCHI conference on Human Factors in Computing Systems
The Phenomenology of Information Systems Evaluation: Overcoming the Subject/Object Dualism
Proceedings of the IFIP TC8/WG8.2 Working Conference on Global and Organizational Discourse about Information Technology
Technology and perception: the contribution of sensory substitution systems
CT '97 Proceedings of the 2nd International Conference on Cognitive Technology (CT '97)
Technology as Experience
Towards a Model of Information Aesthetics in Information Visualization
IV '07 Proceedings of the 11th International Conference Information Visualization
Casual Information Visualization: Depictions of Data in Everyday Life
IEEE Transactions on Visualization and Computer Graphics
Artistic data visualization: beyond visual analytics
OCSC'07 Proceedings of the 2nd international conference on Online communities and social computing
Applying personal construct psychology in sound design using a repertory grid
Proceedings of the 5th Audio Mostly Conference: A Conference on Interaction with Sound
Choosing field methods: a reflection on a RepGrid study
Proceedings of the 6th Nordic Conference on Human-Computer Interaction: Extending Boundaries
Identification of perceptual qualities in textural sounds using the repertory grid method
Proceedings of the 6th Audio Mostly Conference: A Conference on Interaction with Sound
Blending the repertory grid technique with focus groups to reveal rich design relevant insight
Proceedings of the 6th International Conference on Designing Pleasurable Products and Interfaces
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We present a study that explores people's affective responses when experiencing data represented through different modalities. In particular, we are interested in investigating how data representations that address haptic/tactile and sonic perception are experienced. We describe the creation of a number of data-driven artifacts that all represent the same dataset. In taking a phenomenological approach to our analysis, we used the Repertory Grid Technique (RGT) during a group session to elicit participant's personal constructs, which are used to describe and compare these artifacts. Our analysis examines these, traces the emergence of one exemplary personal construct and highlights other emergent themes. Our findings consist of a number of elicited constructs that illuminate how the affective qualities of data driven artifacts relate to the type of modality in use.