A Survey on Content-Based Retrieval for Multimedia Databases
IEEE Transactions on Knowledge and Data Engineering
A framework for video scene boundary detection
Proceedings of the tenth ACM international conference on Multimedia
Where Does Computational Media Aesthetics Fit?
IEEE MultiMedia
Zodiac: a history-based interactive video authoring system
Multimedia Systems - Special issue: Multimedia authoring and presentation techniques
Narrative abstraction model for story-oriented video
Proceedings of the 12th annual ACM international conference on Multimedia
A narrative-based abstraction framework for story-oriented video
ACM Transactions on Multimedia Computing, Communications, and Applications (TOMCCAP)
From MultiMedia to UniversalMedia
International Journal of Computational Science and Engineering
Video scene segmentation and semantic representation using a novel scheme
Multimedia Tools and Applications
Going beyond completeness in information retrieval
DNIS'07 Proceedings of the 5th international conference on Databases in networked information systems
Rendition-based video editing for public contents authoring
ICIP'09 Proceedings of the 16th IEEE international conference on Image processing
Going beyond completeness in information retrieval
International Journal of Computational Science and Engineering
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Image/video data contains numerous information such as objects, image attributes (e.g., color, height, width) of objects, and various semantic contents. Provision of a scheme for the retrieval of video data content is still one of the unfulfilled issues. The authors propose a method of retrieving video data from films by way of specifying the semantic content of scenes. Related to the creation of films, there is a so-called "the grammar of film", which is an accumulation of knowledge and rules for expressing certain semantics of a scene more effectively. They concentrate on the features of video that can be observed as a consequence of the effects of the grammar of film. Since the features relate to shot length, the degree of image dynamics of shots, or the combination of similar shots, this method is less time-consuming than other ways of evaluating sequences of images in detail.