Frankensteinian methods for evolutionary music composition
Musical networks
Applied Intelligence
SBIA '98 Proceedings of the 14th Brazilian Symposium on Artificial Intelligence: Advances in Artificial Intelligence
Generation of Musical Sequences with Genetic Techniques
Computer Music Journal
On the development of critics in evolutionary computation artists
EvoWorkshops'03 Proceedings of the 2003 international conference on Applications of evolutionary computing
Technical Section: On the development of evolutionary artificial artists
Computers and Graphics
Aesthetic evolutionary algorithm for fractal-based user-centered jewelry design
Artificial Intelligence for Engineering Design, Analysis and Manufacturing
On the Socialization of Evolutionary Art
EvoWorkshops '09 Proceedings of the EvoWorkshops 2009 on Applications of Evolutionary Computing: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoGAMES, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART, EvoNUM, EvoSTOC, EvoTRANSLOG
Modelling human preference in evolutionary art
EvoApplications'11 Proceedings of the 2011 international conference on Applications of evolutionary computation - Volume Part II
The problem with evolutionary art is ...
EvoCOMNET'10 Proceedings of the 2010 international conference on Applications of Evolutionary Computation - Volume Part II
Feature selection and novelty in computational aesthetics
EvoMUSART'13 Proceedings of the Second international conference on Evolutionary and Biologically Inspired Music, Sound, Art and Design
Aesthetic selection and the stochastic basis of art, design and interactive evolutionary computation
Proceedings of the 15th annual conference on Genetic and evolutionary computation
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User fatigue is probably the most pressing problem in current Interactive Evolutionary Computation systems. To address it we propose the use of automatic seeding procedure phenotype filters and partial automation fitness assignment. We test this approaches in the visual arts domain. To further enhance interactive evolution applications in aesthetic domains we propose the use of artificial art critics - systems that perform stylistic and aesthetic valuations of art - presenting experimental results.