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This paper discusses phenomenological structures relevant to tangible and embedded interaction through a phenomenological interpretation of an interactive art piece. This discussion distinguishes between two basic traditions in phenomenological philosophy, the Husserlian and the Heideggerian. In addition, it illustrates the notions of Lichtung, intentionality, Verhalten, ready-to-hand and present-at-hand. The paper concludes with some implications of a Heideggerian phenomenological framework.