SOAR: an architecture for general intelligence
Artificial Intelligence
Improv: a system for scripting interactive actors in virtual worlds
SIGGRAPH '96 Proceedings of the 23rd annual conference on Computer graphics and interactive techniques
Character-Based Interactive Storytelling
IEEE Intelligent Systems
A Behavior Language for Story-Based Believable Agents
IEEE Intelligent Systems
Introductory Essay: Improvisation As a Mindset for Organizational Analysis
Organization Science
Fearnot!: an experiment in emergent narrative
Lecture Notes in Computer Science
An empirical study of cognition and theatrical improvisation
Proceedings of the seventh ACM conference on Creativity and cognition
Narrative Development in Improvisational Theatre
ICIDS '09 Proceedings of the 2nd Joint International Conference on Interactive Digital Storytelling: Interactive Storytelling
Bottoms up: improvisational micro-agents
Proceedings of the Intelligent Narrative Technologies III Workshop
Shared mental models in improvisational performance
Proceedings of the Intelligent Narrative Technologies III Workshop
Believable agents and intelligent story adaptation for interactive storytelling
TIDSE'06 Proceedings of the Third international conference on Technologies for Interactive Digital Storytelling and Entertainment
Digital improvisational theatre: party quirks
IVA'11 Proceedings of the 10th international conference on Intelligent virtual agents
A knowledge-based framework for the collaborative improvisation of scene introductions
ICIDS'11 Proceedings of the 4th international conference on Interactive Digital Storytelling
| Hi-index | 0.00 |
Our continued investigation into the experience of improvisers as they construct narrative in improvisational theatre provides a meaningful decomposition of its atomic unit, the offer. Our study was conducted with improvisers performing improv "games" in their theatre with each performance video recorded. Individual participants were selectively shown individual performances before being interviewed. This process is meant to elicit deeper information into how the performer chooses specific narrative interactions to develop in an improvisation performance. This paper presents our ongoing findings related to narrative development in improvisational theatre and how they were used to create an improvisational micro-agent. These findings have demonstrated that the use of offers to construct a scene involves the offers' acceptance and augmentation in a scene more than just the strength of an offer.