Virtual reality: through the new looking glass
Virtual reality: through the new looking glass
Cybertext: perspectives on ergodic literature
Cybertext: perspectives on ergodic literature
Game Design Perspectives
Computers as Theatre
The Art of Computer Game Design
The Art of Computer Game Design
Persuasive Games: The Expressive Power of Videogames
Persuasive Games: The Expressive Power of Videogames
The Art of Videogames
In-Game: From Immersion to Incorporation
In-Game: From Immersion to Incorporation
Heavy rain: how i learned to trust the designer
Well played 3.0
From "open mailbox" to context mechanics: shifting levels of abstraction in adventure games
Proceedings of the 6th International Conference on Foundations of Digital Games
Aesthetic Theory and the Video Game
Aesthetic Theory and the Video Game
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The paper accommodates Espen Aarseth's concept of virtuality and Samuel Taylor Coleridge's concept of suspension of disbelief to the context of modern story forms. The primary focus will be on the videogame. The premise is that suspending disbelief at narrative improbabilities is a skill required to construct narrative coherence. Constructing narrative coherence of stories that contain virtual elements entails supplementary suspension of disbelief at virtual improbabilities, suspension of virtual disbelief. Since increasing the degree of virtuality often increases the requisite traversal effort, virtuality can be said to set increased demands on story traversal as well. This results in the dilemma of virtual balance: while virtuality has the potential to strengthen diegesis, it on the other hand sets heightened demands on story traversal and narrative coherence. The concluding argument is that these heightened demands may be turned into rhetorical tools.