A guided tour in haptic audio visual environments and applications
International Journal of Advanced Media and Communication
Evaluating ALPHAN with Multi-user Collaboration
DS-RT '08 Proceedings of the 2008 12th IEEE/ACM International Symposium on Distributed Simulation and Real-Time Applications
Multi-modal exploration of small artifacts: an exhibition at the Gold Museum in Bogota
Proceedings of the 16th ACM Symposium on Virtual Reality Software and Technology
Cultural Heritage: A novel approach to documenting artifacts at the Gold Museum in Bogota
Computers and Graphics
Digital buddhist image creation by haptic deformation
Edutainment'06 Proceedings of the First international conference on Technologies for E-Learning and Digital Entertainment
Haptic rendering of cultural heritage objects at different scales
EuroHaptics'12 Proceedings of the 2012 international conference on Haptics: perception, devices, mobility, and communication - Volume Part I
The museum of pure form: touching real statues in an immersive virtual museum
VAST'04 Proceedings of the 5th International conference on Virtual Reality, Archaeology and Intelligent Cultural Heritage
VAST'09 Proceedings of the 10th International conference on Virtual Reality, Archaeology and Cultural Heritage
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This article describes the architecture of the "Museum of Pure Form", a virtual reality system where the user can interact, through the senses of touch and sight, with digital models of 3D art forms and sculptures. Two different realizations of "Museum of Pure Form" systems are currently being developed at PERCRO, Pisa, Italy. In one realization "The Museum of Pure Form" is conceived as a system laced inside several museums and art galleries around Europe and made available to people visiting such institutions. In the second realization the system will be laced and tested inside a CAVE environment.Considerations on technological aspects concerning the implementation of a virtual environment endowed with haptic feedback for cultural heritage applications are reported throughout the paper.