Tangible bits: towards seamless interfaces between people, bits and atoms
Proceedings of the ACM SIGCHI Conference on Human factors in computing systems
The Jam-O-Drum interactive music system: a study in interaction design
DIS '00 Proceedings of the 3rd conference on Designing interactive systems: processes, practices, methods, and techniques
The Augmented Composer Project: The Music Table
ISMAR '03 Proceedings of the 2nd IEEE/ACM International Symposium on Mixed and Augmented Reality
Audiopad: a tag-based interface for musical performance
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
NIME '02 Proceedings of the 2002 conference on New interfaces for musical expression
Sonigraphical instruments: from FMOL to the reacTable
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
OpenSound Control: state of the art 2003
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Sonic banana: a novel bend-sensor-based MIDI controller
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
The Squeezables: Toward an Expressive and Interdependent Multi-player Musical Instrument
Computer Music Journal
FMOL: Toward User-Friendly, Sophisticated New Musical Instruments
Computer Music Journal
Multi-user instruments: models, examples and promises
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
The smart controller workbench
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
A graphical interface for real-time signal routing
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Pin & Play & Perform: a rearrangeable interface for musical composition and performance
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Yeah, ChucK it! ⇒ dynamic, controllable interface mapping
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Mary had a little scoreTable* or the reacTable* goes melodic
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Synthesis and control on large scale multi-touch sensing displays
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Creating ad hoc instruments with Pin&Play&Perform
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
The reacTable: exploring the synergy between live music performance and tabletop tangible interfaces
Proceedings of the 1st international conference on Tangible and embedded interaction
mixiTUI: a tangible sequencer for electronic live performances
Proceedings of the 3rd International Conference on Tangible and Embedded Interaction
Grasping Interface with Photo Sensor for a Musical Instrument
Proceedings of the 13th International Conference on Human-Computer Interaction. Part II: Novel Interaction Methods and Techniques
Emerging sounds for disappearing computers
The disappearing computer
Balance ball interface for performing arts
HCII'11 Proceedings of the 1st international conference on Human interface and the management of information: interacting with information - Volume Part II
Improvised interfaces for real-time musical applications
Proceedings of the Sixth International Conference on Tangible, Embedded and Embodied Interaction
Creative access to technology: building sounding artifacts with children
Proceedings of the 11th International Conference on Interaction Design and Children
ACM Transactions on Computer-Human Interaction (TOCHI)
| Hi-index | 0.00 |
This article reflects the current state of the reacTable project, an electronic music instrument with a tangible table-based interface, which is currently under development at the Audiovisual Institute at the Universitat Pompeu Fabra. In this paper we are focussing on the issue of Dynamic Patching, which is a particular and unique aspect of the sound synthesis and control paradigms of the reacTable. Unlike common visual programming languages for sound synthesis, which conceptually separate the patch building process from the actual musical performance, the reacTable combines the construction and playing of the instrument in a unique way. The tangible interface allows direct manipulation control over any of the used building blocks, which physically represent the whole synthesizer function.