Tangible bits: towards seamless interfaces between people, bits and atoms
Proceedings of the ACM SIGCHI Conference on Human factors in computing systems
Where the action is: the foundations of embodied interaction
Where the action is: the foundations of embodied interaction
IEEE MultiMedia
Emotional Coloring of Computer-Controlled Music Performances
Computer Music Journal
pDM: An Expressive Sequencer with Real-Time Control of the KTH Music-Performance Rules
Computer Music Journal
Affective diary: designing for bodily expressiveness and self-reflection
CHI '06 Extended Abstracts on Human Factors in Computing Systems
A review of methods and frameworks for sonic interaction design: exploring existing approaches
CMMR/ICAD'09 Proceedings of the 6th international conference on Auditory Display
Affective acoustic ecology: towards emotionally enhanced sound events
Proceedings of the 7th Audio Mostly Conference: A Conference on Interaction with Sound
| Hi-index | 0.00 |
Different design approaches contributed to what we see today as the prevalent design paradigm for Human Computer Interaction; though they have been mostly applied to the visual aspect of interaction. In this paper we presented a proposal for sound design strategies that can be used in applications involving affective interaction. For testing our approach we propose the sonification of the Affective Diary, a digital diary with focus on emotions, affects, and bodily experience of the user. We applied results from studies in music and emotion to sonic interaction design. This is one of the first attempts introducing different physics-based models for the real-time complete sonification of an interactive user interface in portable devices.