Paint by numbers: abstract image representations
SIGGRAPH '90 Proceedings of the 17th annual conference on Computer graphics and interactive techniques
Painterly rendering for animation
SIGGRAPH '96 Proceedings of the 23rd annual conference on Computer graphics and interactive techniques
Processing images and video for an impressionist effect
Proceedings of the 24th annual conference on Computer graphics and interactive techniques
Painterly rendering with curved brush strokes of multiple sizes
Proceedings of the 25th annual conference on Computer graphics and interactive techniques
Painterly rendering for video and interaction
NPAR '00 Proceedings of the 1st international symposium on Non-photorealistic animation and rendering
Proceedings of the 28th annual conference on Computer graphics and interactive techniques
Image quilting for texture synthesis and transfer
Proceedings of the 28th annual conference on Computer graphics and interactive techniques
Real-time texture synthesis by patch-based sampling
ACM Transactions on Graphics (TOG)
Artistic Vision: painterly rendering using computer vision techniques
NPAR '02 Proceedings of the 2nd international symposium on Non-photorealistic animation and rendering
Proceedings of the 29th annual conference on Computer graphics and interactive techniques
Stylization and abstraction of photographs
Proceedings of the 29th annual conference on Computer graphics and interactive techniques
EGRW '02 Proceedings of the 13th Eurographics workshop on Rendering
Perceptually based brush strokes for nonphotorealistic visualization
ACM Transactions on Graphics (TOG)
Efficient Example-Based Painting and Synthesis of 2D Directional Texture
IEEE Transactions on Visualization and Computer Graphics
ACM SIGGRAPH 2004 Papers
Example-Based Color Stylization of Images
ACM Transactions on Applied Perception (TAP)
Vision: A Computational Investigation into the Human Representation and Processing of Visual Information
Video watercolorization using bidirectional texture advection
ACM SIGGRAPH 2007 papers
From image parsing to painterly rendering
ACM Transactions on Graphics (TOG)
NPAR '10 Proceedings of the 8th International Symposium on Non-Photorealistic Animation and Rendering
Color juxtaposition for pointillism based on an artistic color model and a statistical analysis
The Visual Computer: International Journal of Computer Graphics
Arcimboldo-like collage using internet images
Proceedings of the 2011 SIGGRAPH Asia Conference
A non-photorealistic rendering of seurat's pointillism
ISVC'06 Proceedings of the Second international conference on Advances in Visual Computing - Volume Part II
AniPaint: Interactive Painterly Animation from Video
IEEE Transactions on Visualization and Computer Graphics
Accurate and discernible photocollages
CAe '12 Proceedings of the Eighth Annual Symposium on Computational Aesthetics in Graphics, Visualization, and Imaging
State of the "Art”: A Taxonomy of Artistic Stylization Techniques for Images and Video
IEEE Transactions on Visualization and Computer Graphics
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We investigate an approach to the artistic stylization of photographic images and videos that uses an understanding of the role of abstract representations in art and perception. We first learn a database of representations from a corpus of images or image sequences. Using this database, our approach synthesizes a target image or video by matching geometric representations in the target to the closest matches in the database based on their shape and color similarity. We show how changing a few parameters of the synthesis process can result in stylizations that represent aesthetics associated with Impressionist, Cubist, and Abstract Expressionist paintings. As the stylization process is fast enough to work in real-time, our approach can also be used to learn and synthesize the same camera image, even aggregating the database with each new video frame in real-time, a process we call "Memory Mosaicing". Finally, we report the user feedback of 21 participants using an augmented reality version of "Memory Mosaicing" in an installation called Augmented Reality Hallucinations, where the target scene and database came from a camera mounted on augmented reality goggles. This information was collected during an exhibition of 15,000 participants at the Digital Design Weekend at the Victoria and Albert Museum (co-located during the London Design Festival).