An Interactive Case-Based Reasoning Approach for Generating Expressive Music
Applied Intelligence
Inside the "conductor's jacket": analysis, interpretation and musical synthesis of expressive gesture
Characterizing and controlling musical material intuitively with geometric models
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
Gestural control of music: using the vicon 8 motion capture system
NIME '03 Proceedings of the 2003 conference on New interfaces for musical expression
ESP: a driving interface for Expression Synthesis
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
On interface expressivity: a player-based study
NIME '05 Proceedings of the 2005 conference on New interfaces for musical expression
Expression and its discontents: toward an ecology of musical creation
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Sensillum: an improvisational approach to composition
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Spectator understanding of error in performance
CHI '09 Extended Abstracts on Human Factors in Computing Systems
Evaluation of live human-computer music-making: Quantitative and qualitative approaches
International Journal of Human-Computer Studies
A practical approach towards an exploratory framework for physical modeling
Computer Music Journal
Sonify your face: facial expressions for sound generation
Proceedings of the international conference on Multimedia
A framework for the evaluation of digital musical instruments
Computer Music Journal
A VJ centered exploration of expressive interaction
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
WanderOnStage: the convergence of percussion performance and media technology
Proceedings of the 7th Audio Mostly Conference: A Conference on Interaction with Sound
Mutual engagement and collocation with shared representations
International Journal of Human-Computer Studies
| Hi-index | 0.00 |
Is there a distinction between New Interfaces for Musical Expression and New Interfaces for Controlling Sound? This article begins with a brief overview of expression in musical performance, and examines some of the characteristics of effective "expressive" computer music instruments. It becomes apparent that sophisticated musical expression requires not only a good control interface but also virtuosic mastery of the instrument it controls. By studying effective acoustic instruments, choosing intuitive but complex gesture-sound mappings that take advantage of established instrumental skills, designing intelligent characterizations of performance gestures, and promoting long-term dedicated practice on a new interface, computer music instrument designers can enhance the expressive quality of computer music performance.