A mental model can help with learning to operate a complex device
CHI '93 INTERACT '93 and CHI '93 Conference Companion on Human Factors in Computing Systems
Design rules based on analyses of human error
Communications of the ACM
Making sense of sensing systems: five questions for designers and researchers
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Designing the spectator experience
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Expected, sensed, and desired: A framework for designing sensing-based interaction
ACM Transactions on Computer-Human Interaction (TOCHI)
The 'E' in NIME: musical expression with new computer interfaces
NIME '06 Proceedings of the 2006 conference on New interfaces for musical expression
Expression and its discontents: toward an ecology of musical creation
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression
Cognitive scales and mental models for inclusive design
UAHCI'07 Proceedings of the 4th international conference on Universal access in human computer interaction: coping with diversity
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The development of computer-based devices for music control has created a need to study how spectators understand new performance technologies and practices. As a part of a larger project examining how interactions with technology can be communicated to spectators, we present a model of a spectator's understanding of error by a performer. This model is broadly applicable throughout HCI, as interactions with technology are increasingly public and spectatorship is becoming more common.