Lead users: a source of novel product concepts
Management Science
DIS '00 Proceedings of the 3rd conference on Designing interactive systems: processes, practices, methods, and techniques
Audiophotography: practice and prospects
CHI '99 Extended Abstracts on Human Factors in Computing Systems
RAW: conveying minimally-mediated impressions of everyday life with an audio-photographic tool
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Context photography: modifying the digital camera into a new creative tool
CHI '04 Extended Abstracts on Human Factors in Computing Systems
Capturing the invisible: designing context-aware photography
Proceedings of the 2003 conference on Designing for user experiences
Aesthetic interaction: a pragmatist's aesthetics of interactive systems
DIS '04 Proceedings of the 5th conference on Designing interactive systems: processes, practices, methods, and techniques
Passive capture and ensuing issues for a personal lifetime store
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Technology as Experience
MMM2: mobile media metadata for media sharing
CHI '05 Extended Abstracts on Human Factors in Computing Systems
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The Ubiquitous Camera: An In-Depth Study of Camera Phone Use
IEEE Pervasive Computing
A pragmatist aesthetics approach to the design of a technological artefact
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Designing ubiquitous computing to enhance children's interaction in museums
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More than meets the eye: an exploratory study of context photography
Proceedings of the 4th Nordic conference on Human-computer interaction: changing roles
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Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Proceedings of the 7th ACM conference on Designing interactive systems
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Designing for playful photography
The New Review of Hypermedia and Multimedia - Special issue on experience design - applications and reflections
A process of engagement: engaging with the process
Proceedings of the Designing Interactive Systems Conference
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This paper reports on how we learned from an alternative practice in order to design engaging interactive technology intended for a more general user group. When investigating new types of digital photography we designed context photography, where real-time context data visually affects digital pictures as they are taken. To understand how to design for a meaningful photographic experience, we took inspiration from an amateur practice involving a particular type of analogue camera --- Lomography. This paper shows how such alternative or marginal practices can help to ground design of interactive technology in existing human interests, while at the same time leading to a novel design outcome.