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Design at work: cooperative design of computer systems
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A small matter of programming: perspectives on end user computing
A small matter of programming: perspectives on end user computing
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Supporting knowledge-base evolution with incremental formalization
Design rationale: concepts, techniques, and use
Design rationale: concepts, techniques, and use
Embedding critics in design environments
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Sorting things out: classification and its consequences
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Leonardo's Laptop: Human Needs and the New Computing Technologies
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Explorations in art and technology
Explorations in art and technology
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Supporting component-based software development with active component repository systems
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Open source: a conceptual framework for collaborative artifact and knowledge construction
Beyond Productivity: Information, Technology, Innovation, and Creativity
Beyond Productivity: Information, Technology, Innovation, and Creativity
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The New Division of Labor: How Computers Are Creating the Next Job Market
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GROUP '05 Proceedings of the 2005 international ACM SIGGROUP conference on Supporting group work
Speculative data and the creative imaginary: shared innovative visions between art and technology
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Communications of the ACM
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C&C '11 Proceedings of the 8th ACM conference on Creativity and cognition
Beyond interaction: meta-design and cultures of participation
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The power of the unaided, individual mind is highly overrated: The Renaissance scholar no longer exists. Although creative individuals are often thought of as working in isolation, the role of interaction and collaboration with other individuals is critical to creativity. Creative activity grows out of the relationship between individuals and their work, and from the interactions between an individual and other human beings. Because complex problems require more knowledge than any single person possesses, it is necessary that all involved stakeholders participate, communicate, collaborate, and learn from each other. Distances (across spatial, temporal, and technological dimensions) and diversity (bringing stakeholders together from different cultures) are important sources for social creativity.This paper describes conceptual frameworks and socio-technical environments (derived from the systems that we have developed over the last decade) in which social creativity can come alive.