Cone Trees: animated 3D visualizations of hierarchical information
CHI '91 Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
GI '96 Proceedings of the conference on Graphics interface '96
Proceedings of the ACM SIGCHI Conference on Human factors in computing systems
The EMOTE model for effort and shape
Proceedings of the 27th annual conference on Computer graphics and interactive techniques
Moticons: detection, distraction and task
International Journal of Human-Computer Studies - Notification user interfaces
How Believable Are Real Faces? Towards a Perceptual Basis for Conversational Animation
CASA '03 Proceedings of the 16th International Conference on Computer Animation and Social Agents (CASA 2003)
Filtering and brushing with motion
Information Visualization
The craft of movement in interaction design
AVI '98 Proceedings of the working conference on Advanced visual interfaces
The components of conversational facial expressions
APGV '04 Proceedings of the 1st Symposium on Applied perception in graphics and visualization
Psychophysical evaluation of animated facial expressions
APGV '05 Proceedings of the 2nd symposium on Applied perception in graphics and visualization
An exploration of delsarte’s structural acting system
IVA'06 Proceedings of the 6th international conference on Intelligent Virtual Agents
Simple motion textures for ambient affect
Proceedings of the International Symposium on Computational Aesthetics in Graphics, Visualization, and Imaging
Special Section on CANS: Affective motion textures
Computers and Graphics
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Recent work has shown the potential of basic perceptual properties of motion for notification, association and visual search. Yet evidence from fields as diverse as perceptual science, social psychology and the performing arts suggest that motion has much richer communication potential in its interpretative scope. A long history of research and practice in the affective properties of motion has resulted in a bewildering plethora of potentially rich communicative attributes. What remains to be established is how and whether these perceptual effects and impressions can be computationally manipulated in a display environment as variables of affective communication. In this paper we explore attributes of expressive motion and report initial results from a study in which we explored which attributes might be most important in distinguishing motions meant to convey emotion.