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Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media
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Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Evaluating Contextual Information for Wearable Computing
ISWC '02 Proceedings of the 6th IEEE International Symposium on Wearable Computers
Digital Storytelling: A Creator's Guide to Interactive Entertainment
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Proceedings of the 1st ACM workshop on Story representation, mechanism and context
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Everyware: The Dawning Age of Ubiquitous Computing
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Computer Supported Cooperative Work
Toward mobile entertainment: A paradigm for narrative-based audio only games
Science of Computer Programming
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Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
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IEEE MultiMedia
Coping with Uncertainty in a Location-Based Game
IEEE Pervasive Computing
Location-based storytelling in the urban environment
Proceedings of the 20th Australasian Conference on Computer-Human Interaction: Designing for Habitus and Habitat
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Proceedings of the 11th International Conference on Human-Computer Interaction with Mobile Devices and Services
Action capture with accelerometers
Proceedings of the 2008 ACM SIGGRAPH/Eurographics Symposium on Computer Animation
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Proceedings of the seventh ACM conference on Creativity and cognition
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OZCHI '09 Proceedings of the 21st Annual Conference of the Australian Computer-Human Interaction Special Interest Group: Design: Open 24/7
Narrative construction in a mobile tour guide
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A consistent finding of research into mobile learning guides and outdoor learning games has been the value of audio as a medium of communication. This paper discusses the value of location-based and movement-sensitive audio for learning. Three types of audio learning experience are distinguished, based primarily upon differing levels of narrative cohesion: audio vignettes, movement-based guides and mobile narratives. An analysis of projects in these three areas has resulted in the formulation of guidelines for the design of audio experiences. A case study of a novel audio experience, called 'A Chaotic Encounter,' delivers an adaptive story based on the pattern of movements of the user.