Garage cinema and the future of media technology
Communications of the ACM
Contextual design: defining customer-centered systems
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An interactive comic book presentation for exploring video
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A semi-automatic approach to home video editing
UIST '00 Proceedings of the 13th annual ACM symposium on User interface software and technology
Detection and removal of lighting & shaking artifacts in home videos
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A hitchcock assisted video edited night at the opera
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Simplifying video editing using metadata
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Getting into the Living Memory Box: Family archives & holistic design
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AVE: automated home video editing
MULTIMEDIA '03 Proceedings of the eleventh ACM international conference on Multimedia
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The Family Video Archive: an annotation and browsing environment for home movies
MIR '03 Proceedings of the 5th ACM SIGMM international workshop on Multimedia information retrieval
Structuring home video by snippet detection and pattern parsing
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CHI '05 Extended Abstracts on Human Factors in Computing Systems
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Watch what I watch: using community activity to understand content
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Zync: the design of synchronized video sharing
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Re-cinematography: Improving the camerawork of casual video
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EUROITV '08 Proceedings of the 6th European conference on Changing Television Environments
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Lean collaboration through video gestures: co-ordinating the production of live televised sport
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BCS-HCI '08 Proceedings of the 22nd British HCI Group Annual Conference on People and Computers: Culture, Creativity, Interaction - Volume 1
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Fragment, tag, enrich, and send: Enhancing social sharing of video
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Personal and Ubiquitous Computing
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In this paper we elucidate the patterns of behavior of home movie makers through a study of 12 families and a separate focus group of 7 teenagers. Analogous to a similar study of photowork [13], the goal is to provide a deeper understanding of what people currently do with video technologies, balancing the preponderence of techno-centric work in the area with appropriate user-centric insight. From our analysis, we derive a videowork lifecycle to frame the practices users engage in when working with video technologies in the home, and uncover two broad types of video usage therein. This has implications for how we conceive of and devise tools to support these practices, as we discuss.