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Motorcycling and social interaction: design for the enjoyment of brief traffic encounters
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Digital libraries and educational practice: a case for new models
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"It's Just a Method!": a pedagogical experiment in interdisciplinary design
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Research through design as a method for interaction design research in HCI
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Sustainable interaction design: invention & disposal, renewal & reuse
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Supporting design studio culture in HCI
CHI '07 Extended Abstracts on Human Factors in Computing Systems
End-user privacy in human-computer interaction
Foundations and Trends in Human-Computer Interaction
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CHI '08 Extended Abstracts on Human Factors in Computing Systems
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Where all the interaction is: sketching in interaction design as an embodied practice
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Talking about hearing: designing from users' problematisations
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Designing physical and social intergenerational family entertainment
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Where third wave HCI meets HRI: report from a workshop on user-centred design of robots
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Design research as explanation: perceptions in the field
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
Power of peripheral designers: how users learn to design
Proceedings of the 4th International Conference on Design Science Research in Information Systems and Technology
Aesthetics in Human-Computer Interaction: Views and Reviews
Proceedings of the 13th International Conference on Human-Computer Interaction. Part I: New Trends
An Exploration of Perspective Changes within MBD
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We argue that HCI has emerged as a design-oriented field of research, directed at large towards innovation, design, and construction of new kinds of information and interaction technology. But the understanding of such an attitude to research in terms of philosophical, theoretical, and methodological underpinnings seems however relatively poor within the field. This paper intends to specifically address what design 'is' and how it is related to HCI. First, three candidate accounts from design theory of what design 'is' are introduced; the conservative, the romantic, and the pragmatic. By examining the role of sketching in design, it is found that the designer becomes involved in a necessary dialogue, from which the design problem and its solution are worked out simultaneously as a closely coupled pair. In conclusion, it is proposed that we need to acknowledge, first, the role of design in HCI conduct, and second, the difference between the knowledge-generating Design-oriented Research and the artifact-generating conduct of Research-oriented Design.